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Old 05-15-2012, 04:31 PM   #31
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Lookin' really good man
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Old 05-15-2012, 07:47 PM   #32
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Thanks guys. It's funny you mention Sean Murphy, cuz I just finished Joe the Barbarian like a month ago. Hard not to swipe stuff from that guy, what a talent.

And good to hear from you OZ, let me know if your doing comicpalooza in Houston in a couple weeks.
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Old 05-17-2012, 05:01 AM   #33
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Out Come the Wolves pg. 5. Script by Pat Parnell. Crits and comments always appreciated.

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Old 05-22-2012, 01:22 AM   #34
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Out Come the Wolves pg. 6. Script by Pat Parnell. Crits and comments always appreciated.

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Old 05-23-2012, 10:49 PM   #35
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Cool work, Ike-dog. I was sad to hear of your cousin's passing last year, Nate-dog.
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Old 05-24-2012, 02:32 AM   #36
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I appreciate that Troy. He was regulating til the end. It's funny, cuz I used to hang with your cousin Paul down here at JV High School back in the day.
H-Town represent.
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Old 05-28-2012, 08:58 PM   #37
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I love page 5. A fun departure from your normal stuff. Page 6 is let down by the constant change in shape and size of the helmets. I feel ya though, those helmets are hard to do. As for comicpalooza, no(has it happened yet? I'm out of the loop). I've been really busy and any time I have on the weekends is spent fixing my house or training. I may start making it to conventions this upcoming year though. Hope everything is going great for you man!
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Old 05-29-2012, 10:56 AM   #38
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Thanks OZ, yeah I was flying through these pages and trying so many different things my consistency on shapes and rendering took a hit. The show was this past weekend. I got one of the most intense reviews ever from Howard Chaykin. My boys were having a good laugh at the whole thing.

Out Come the Wolves pgs 7 & 8. Crits and comments always appreciated.



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Old 05-29-2012, 03:49 PM   #39
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Great pages again. Those two panels with the SS officer are particularly nice with a great cinematic feel to them.

My only crit would be your 1st panel on that last page. Is this the same soldier that runs out of town? He doesn't seem to be in any haste at all in that first panel. (If it's another guy, then I hope that's cleared up with dialogue.)


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Old 05-29-2012, 06:30 PM   #40
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Thanks Magnus. Yeah this script is kind of a montage of images, so that part is rather ambiguous. Hopefully the effect of alot of soldiers in danger is communicated, though.
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Old 05-31-2012, 06:01 PM   #41
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Dark Town pg. 2 redux. Crits and comments always appreciated

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Old 06-12-2012, 12:17 AM   #42
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Originally Posted by Ike-Dog View Post
I appreciate that Troy. He was regulating til the end. It's funny, cuz I used to hang with your cousin Paul down here at JV High School back in the day.
H-Town represent.
I disowned Paul after he made a duet with Hulk Hogan's daughter.
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Old 06-17-2012, 03:13 AM   #43
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Dark Town pg. 2 redux. Crits and comments always appreciated

Digital shortcuts can be useful but the speed lines don't read; looks like VHS static, or a pulse vibrating out from her. Integrate decisions for movement into the structure of the panel, the shapes as they relate in space, otherwise the effect reads as an afterthought.
White over black is sometimes an indicator of poor planning, especially in large quantities. Avoid it.
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Old 07-25-2012, 05:41 PM   #44
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Dark Town pg.3 redux. C&C always appreciated

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Old 07-26-2012, 08:48 AM   #45
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Love all your work reminds me of Kurbert a lot.

Really nice work mate.
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