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nwspencer
04-15-2007, 11:51 PM
Definitely a first draft, barely checked for typos and spelling errors. Figured I'd get some early feedback before revisions-- Hope you like it!

Mike Diamond: SuperAgent #1 (First Draft)
by Nick Spencer 04/15/07

Page One.

Panel 1. Mike Diamond is sitting alone at a table in a five-star restaurant situated on the top floor of a luxury hotel-- glass walls provide an unobstructed view of the spectacular city skyline. Mike is a handsome man, in his early thirties, immaculately dressed in a slim-fitting Armani power suit. His expression is serene as he stares out at the buildings.

Caption 1: We live in a crazy, crazy world.

Server (Off-Panel): Sir?

Panel 2. Mike's attention jerks abrubtly in the other direction, turning to face his server.

Mike: Hm?

Panel 3. Our server is an attractive young woman, smiling, holding a bottle of fine wine.

Server: I said, would you like some more wine?

Panel 4. Mike looks down at his empty glass.

Mike: Why not?

Caption: When I was a kid, the only thing you really needed to worry about were earthquakes.

Panel 5. The wine being poured into the glass.

Server: Still waiting for your guest to arrive?

Panel 6. Mike looks down at his watch.

Mike: You know, an hour later, I think we can safely assume I'm being stood up.

Panel 7. The server still smiling.

Server: Shall I give you a few more minutes to--

Caption: And nuclear bombs, maybe.

Panel 8. She's not smiling anymore. The color is gone from her face, eyes wide, her expression terrified.

Server: Jesus.

Page Two.

Panel 1. Huge shot, 2/3 Page. Mike is still looking at his server. But behind him, on the other side of the glass, is a towering Tyranosaurus Rex, its savage eyes burning into the restaurant. The server is still standing in front of him, frozen in fear.

Caption: Things are a little different now.

Panel 2. Mike looks to the glass, but his reaction is considerably more restrained, almost nonexistent.

Mike: Oh. Would you look at that.

Panel 3. Mike cracks a sly smile.

Mike: Figures.

Caption: Its enough to drive a sane person mad, isn't it? Leave you feeling helpless. Powerless.

Page Three.

Panel 1. Around Mike's table, all hell has broken loose. People are running for the exits. The restaurant manager, an older gentleman, is trying to corral people.

Restaurant Manager: Everyone down!

Caption: That's why so many people are moving back out to the Midwest, they say.

Panel 2. Mike is still nonplussed, staring out the glass at the monster, almost bemused as it destroys a city block. His server is now under his table, looking frantic, pulling at his pants leg.

Server: Sir! Sir! Please, get down under the table!

Panel 3. Mike has his cell phone out, dialing.

Mike: What? No, no, you stay down there. I'll be fine.

Server: Are you calling for help?

Panel 4. Mike has the phone to his ear, looking down at her between his legs.

Mike: Hmm? Oh sure. Sure. Help is absolutely on the way.

Caption: If you live in Cincinnati, life is pretty much the same for you now as it was twenty years ago. No giant monsters or spandex-clad crazies out there.

Panel 5. Mike is grinning into the phone.

Mike: Dorothy, its Mike. I need you to get Sharon Coolidge from Channel 8 down to the Beldain for this giant monster thing. I'm hoping its a time travel deal. What? No, I don't know for sure.

Panel 6. Mike's expression is a bit annoyed now.

Mike: No, he hasn't shown up yet. But tell her--

Panel 7. From over Mike's shoulder, we look out the glass as a flying blur whizzes by the monster's head.

Mike: Tell her he's on his way.

Caption: But this is New York.

Page Four.

Panel 1. His phone call finished, Mike has gotten up, and is pulling money out of his wallet to place on the table. His server is still under the table, facing away from the glass.

Mike: Guess I won't be dining after all. Can I give you a bit of advice?

Panel 2. Mike kneels down, smiling at her.

Mike: Turn around, or you'll miss the best part.

Panel 3. Big Shot. Outside, Champion, the city's superpowered protector, is now fighting the monster. He seems to be winning easily.

Caption: New York is a whole different beast.

Page Five.

Panel 1. With pandemonium still all around him, Mike strolls calmly through the restaurant, towards the elevator.

Caption: But there's really no reason to let it all get to you.

Panel 2. Mike presses the down button on the elevator, the doors opening.

Caption: The key, to my mind, is finding opportunity in the midst of chaos.

Panel 3. Mike waiting inside the elevator, looking at his watch.

Caption: 'When there's blood on the streets, buy land.' Right? Right. Or maybe something slightly less crass.

Panel 4. As the elevator door opens, we see through the hotel lobby glass the monster is now laying sprawled out on the street, with emergency crews surrounding it. Its green hide covers all the glass.

Caption: Maybe 'When there's bloodthirsty prehistoric monsters smashing their way through the streets, offer representation.'

Page Six

Panel 1. Stepping outside, Mike is directly behind Champion. He starts clapping.

Mike: Nice one.

SFX: Clap! Clap!

Panel 2. Champion turns around, wiping sweat from his brow, exhausted.

Champion: Mike... uhhh... What are you doing down here?

Mike: Waiting for your wife.

Champion: You're a funny man.

Panel 3. Mike and Champion are both smiling now. Champion is hunched over, hands on his knees, catching his breath. Mike points at the monster casually.

Mike: You looked good from up there, big guy. But tell me that thing is from six million years ago.

Champion: It would be more like one hundred and fifty million. But no. Military experiment gone wrong, upstate.

Panel 4. Mike throws his hands up in frustration. Champion is chuckling.

Mike: Military experiment? That's it? Come on! You're KILLING me here! This is what you're working on now?!!

Champion: Nothing I can do...

Mike: You know they'll have cleanup down here in an hour. Tomorrow morning, none of this will have ever happened. Total throwaway job.

Champion: I just show up when they call me.

Panel 5. Mike, exasperated.

Mike: Next time, would you hand this shit off to a b-lister for me? I'm sure even the kid with just the wings could've handled this.

Champion: Doesn't work that way, Mike.

Page Seven.

Panel 1. Splash Panel from a high distance, showing the sprawled out, unconscious monster in a sea of wreckage and busted concrete. Mike and Champion are small specks to the side.

Caption: Yes. Its a crazy, crazy world we live in.

Caption: But I, for one, am determined to make the most of it.

Mike: Jesus... how's a guy supposed to make a living off this stuff?

Champion: I don't know Mike, you're the agent. You tell me. You. Tell. Me.

Title Card: Mike Diamond, SuperAgent!

Page Eight.

Panel 1. Cut to Mike walking down a crowded city street, cell phone glued to his ear.

Caption: Now, I already know what some of you are thinking...

Caption: What would a superhero need with an agent?

Voice on phone: Hydro-Man?

Mike: Taken.

Voice: Aquavenger?

Mike: Taken.

Voice: Deep Six.

Mike: Let me check, but I'm pretty sure... taken.

Panel 2. A scrawny man in glasses is standing in boxer shorts on a diving board. Beneath him is a cylindrical pool with markers reading "Danger: Hazardous Waste" and the Nuclear Waste symbol. To the side stand Mike and two men in quarantine suits.

Scrawny Guy: You-- you're sure this will work?

Mike: You bet.

Caption: The job seems fairly simple, right? Some random baddie tries to take over the world, or at least take something that isn't his.

Panel 3. A very, very buxom young superheroine stands as a tailor measures her around the bust for a new costume. Mike grins in the background.

Tailor: I don't even see how this is possible...

Caption: Superhero shows up, fight ensues. Superhero inevitably wins.

Panel 4. The aftermath of a major battle in Washington DC. An unconscious supervillain lays on the ground. But the hero, a Human Torch-type looks to have incinerated about half the Lincoln Memorial. He's shrugging at Mike nervously.
Mike: Its not a big deal. They were planning some renovations anway they they tell me.

Caption: Its all about nobility, and justice, and sacrifice.

Caption: No need to get the suits involved in all that, is there?

Page Nine.

Panel 1. Mike is standing next to America's Princess, a young Stargirl/Supergirl style-heroine as she recieves a community service award-- reporters crowd around them.

Caption: And I understand why you think that. Better than most, actually.

Caption: You see, superheroes are here to inspire people.

Panel 2. Mike is laying in bed, a girl laying next to him. On his nightstand, his phone is lighting up, his ringtone going off.

Ringtone: I'm a flirt, soon as you see me walk up in the club, I'm a flirt...

Caption: I like to say I facilitate that inspiration.

Caption: Its my job to spare you the more... how do I put this? The more human aspects of your heroes.

Panel 3. Mike standing by a police cruiser, talking to an officer as the silhouette of a young woman sits in the back.

See, if an athlete gets arrested for, let's say, driving at three times the legal blood-alcohol level for their state-- well, they can tell the world "I'm just an athlete." Maybe they're fined, or suspended for a game or two--but eventually, they get to be an athlete again.

But not a superhero, right? They're sworn to uphold the law-- its what they do. So its just absolutely unthinkable that, maybe, America's Princess had a few too many at Tao before she climbed into the Mini-Cooper, isn't it?

Panel 4. Mike sits in a police station with his arm around America's Princess, still in costume, as she throws up in his lap.

Caption: You see where I'm going with this.

Caption: But that's not to say there's nothing real about it. To the contrary. I remember the first time a superhero inspired me. Hell, I remember it like it was yesterday...

nwspencer
04-15-2007, 11:52 PM
Page Ten.

Panel 1. A very young boy, about 7, is being dragged by hand to a doctor's appointment by his mother. The shot is cut off just over the kid's height, he's got an action figure in his other hand, he's looking up to the sky.

Kid: Mom! Mom! Look! Mom!

Mother (from Above-Panel): Hurry up son, we're going to be late...

Panel 2. Wide shot of an aerial fight just above them, between The Gladiator and the Dark Skull. The kid points up at them.

Kid: No, really, mom! Look!

Panel 3. The Gladiator strikes the Dark Skull, sending him sailing into the crowd of passerby.

Panel 4. The Dark Skull grabs a pretty young woman by the throat.

Dark Skull: Not one step closer, Gladiator, or its the girl's life!

Panel 5. Dark Skull flies back up in the air, clutching the girl.

Page Eleven.

Panel 1. Gladiator kneels in prayer.

Gladiator: Power of Romulus, I summon you...

Panel 2. A lightning bolt crashes into The Dark Skull's back, he releases the girl in pain.

Dark Skull: Argghhhh!!!

Panel 3. Gladiator soars up, catching the girl in mid-air.

Gladiator: I've got you, miss.

Panel 4. Close up on the kid's awestruck face.

Kid: Wow...

Caption: No. That is not me.

Panel 5. Gladiator lands with the girl, next to a young, college age Mike, in an NYU sweatshirt and glasses, looking a bit sheepish, hands tucked in his pockets. The girl, her adoring eyes fixed on Gladiator, is Amy Whitaker.

Caption: That's me.

Caption: And the girl next to me who just had the near-fried experience? That was my girlfriend senior year of college, Amy Whitaker.

Page Twelve.

Panel 1. Close up on Amy's face. She's equal parts gratitude, amazement, and infatuation.

Caption: Amy and I had a real good thing going on 'til then.

Panel 2. Gladiator has a patronizing smirk and wink on his face, his hand on Mike's shoulder as he looks at him.

Gladiator: Keep an eye on her for me next time.

Panel 3. Shot of flowers, candy, and a necklace on a nightstand.

Caption: As far as Amy was concerned, I was a dead man from there on. Might as well have been me up there getting juiced by lightning.

Panel 4. Over the shoulder of Mike as he's having sex with Amy. She's staring up at the ceiling, obviously bored out of her mind.

Caption: I knew it was pretty much over the night she asked me to wear a helmet to bed.

Panel 5. Amy walking out of the bedroom, we see behind the half-open door, a crushed and dejected young Mike clutching the sheet as he sits up in bed.

Caption: "Keep an eye on her for me next time." What an asshole.

Page Thirteen.

Panel 1. Close up on young Mike in that bed, his eyebrow raised-- he's just thought of something. Something big.

Caption: But all was not lost for young Mike Diamond. No, because the moment I lost my girlfriend to the fantasy of a man in a metal skirt, I had a revelation.

Panel 2. Close up on the exterior office door sign of Denhart & Hathaway Sports & Entertainment Management.

Caption: I was wrapping up an internship at a mid-sized agency, and angling for a job. I pitched them on repping a new kind of celebrity: the costumed vigilante.

Panel 3: Young Mike strolling out of the office, a huge grin on his face.

Caption: They bought it.

Panel 4: Mike at a computer, newspapers all around him on the desk with superhero- headlines.

Caption: But my first approach had to be a winner. I needed a dream client. Someone spotless, someone I could sell to everyone from teenage girls in Philadelphia to retired couples in Sarasota.

Panel 5: Shot from behind Mike's shoulder as he stares at the screen. On the monitor is a huge shot of The Hornet, a teen Spider-Man type. The headline reads-- THE HORNET: HERO OR MENACE?

Caption: And then I found him-- the big, beautiful bug.

Page Fourteen.

Panel 1. The Hornet flying through the New York skyline.

Panel 2. He comes to rest on a ledge.

Panel 3. He pulls out a camera.

Panel 4. He sits it down carefully on the ledge, adjusting the display.

Panel 5. The Hornet, reacting in surprise.

Mike (Off-Panel): How much are you getting for the shots?

Panel 6. The Hornet looks over at Mike, sitting on the ledge, legs dangling. He's wearing a suit-- he's still in glasses, with a little flop in his hair-- but he's looking much more grown-up and professional.

Mike: Hundred? Two Hundred?

Hornet: Uhhh... it depends on the placement.

Panel 7. Close up on Mike's face.

Mike: Hey, I don't blame you. Actually a pretty smart idea. But really, how do you get any chicks on those slave wages?

Panel 8. Close up on Hornet's Face.

Hornet: "Chicks?" Uhhh... listen, sir, I--

Panel 9. Mike takes off his glasses.

Mike: Costume's looking a little ragged around the edges.

Page Fifteen.

Panel 1. Hornet looking down at his costume self-consciously.

Hornet: I, uh, it got a little messed up in a fight with Electroshock...

Panel 2. Mike, looking at the costume from his perch.

Mike: Sounds painful. What if I told you I thought I could get my friends at Nike to design you a new one? One that's more durable, and better fitting? Maybe with a cooling function?

Panel 3. Hornet's face.

Hornet: Cooling function? whoa.

Hornet: Uhh, look mister, I don't know who you are, but--

Panel 4. Mike's straightens his hair up, looking more and more like our present-day Mike Diamond.

Mike: What if I told you that Nike would then pay YOU two million dollars to wear it?

Panel 5. Hornet, a bit more alert.

Hornet: Two million dollars?!!

Panel 6. Mike looking out at the night sky.

Mike: But we'd have to do something about these headlines. The guy running that paper seems to really have it in for you...

Panel 7. Hornet looking down in quiet frustration.

Hornet: Tell me about it...

Panel 8. Mike, looking like he just had an idea.

Mike: I got it! We get you a girlfriend.

Page Sixteen.

Panel 1. Hornet.

Hornet: A girlfriend?

Panel 2. Mike looking at Hornet now.

Mike: Yeah, a girlfriend-- no one's going to think you're a dangerous criminal when they see tabloid shots of you purse-shopping with Jessica Alba...

Panel 3. Hornet. Now Mike's really got him.

Hornet: Jessica... Alba?

Panel 4. Mike's hands are working now, gesturing.

Mike: Yeah, that's it. Then from there, we build a whole multimedia experience around you. Movie deal, Soundtrack, web site-- do you think there's somewhere we could strap a webcam on you?

Panel 5. Hornet, showing some hesitation again.

Hornet: Listen, sir, that's all really, really flattering. But I-- I don't do this for fame or money. My grandfather always taught me, With great power comes great--

Panel 6. Close shot of Mike's face. This is a defining moment for him.

Mike: Power.

Mike: With great power comes great power, kid. Don't make it more complicated than it has to be.

Panel 7. Hornet just stares back at him, as though he'd never thought of it that way.

Panel 8. Mike.

Mike: Look, I'm not telling you to stop fighting the bad guys. That's your thing, and people love it. But you're already using it to pay the bills one way or another...

Panel 9. Mike grinning.

Mike: Why not use it to pay some bigger, nicer bills?

Caption: The bug signed that night.

Page Seventeen.

Panel One. Mike sitting at a board room table surrounded by similar looking agents, all laughing.

Caption: Today, I oversee the careers of 36 of the world's greatest defenders of freedom, justice, and liberty.

Panel Two. The same office door sign we saw a few pages back, but it now reads Diamond, Denhart, and Hathaway.

Caption: The firm that gave me a job is now the undisputed leader in superhuman entertainment management, and two years ago, I made partner.

Panel Three. Mike sitting at his executive desk.

Caption: Business is very, very good. But lately...

Panel Four. Dorothy, Mike's android secretary, and Toby, his intern, walk into the office.

Dorothy: We have a problem sir.

Mike: You two can't figure out how to procreate?

Panel Five. Close up on Dorothy, looking at him with disgust and disapproval.

Panel Six. Close up on Toby.

Toby: Its The Fury, sir.

Panel Seven. Mike, rolling his eyes.

Mike: Christ. What now?

Page Eighteen.

Panel 1. Toby looks down at some notes in front of him.

Toby: Apparently, quite a bit of collateral damage to a trailer park down in Alabama. Some of the residents are talking lawsuit.

Panel 2. Mike rubbing his eyes.

Mike: Tell me there was some kind of super-villain involved.

Panel 3. Toby, still looking at his notes.

Toby: Doesn't look like it, sir... apparently the woman The Fury--or rather Dr. Bill Blakely-- has been romantically linked to was in some sort of domestic dispute with another man when The Fury, uhhh... intervened.

Panel 4. Mike, looking flabberghasted.

Mike: Again with the stripper, Crystal? For fuck's sake, Bill... where is he now?

Panel 5. Dorothy, Toby, and Mike.

Dorothy: In a G.U.A.R.D. holding facility off the Gulf of Mexico.

Mike: Will they take rehab?

Toby: For the sixth time?

Panel 6. Mike.

Mike: Tell them we've got a new place. Real tough place, no prayer circles. What else have you got for me?

Panel 7. Toby and Mike (looking interested).

Toby: The Mayor's daughter.

Mike: What about her?

Panel 8. Toby.

Toby: She wants to meet with you. Also, one of the scouts says he's found a very strong prospect out in Idaho. Says he could be "the real thing."

Panel 9. Mike.

Mike: Idaho? As in the potatoes? Listen to me, very carefully, both of you. Because if there's one thing I'm sure of at this point, its this: there is no such thing...

Page Nineteen.

Panel One. Wide shot. A farmhouse in Idaho. The sun is setting, we see in the distance the shadowy form of Gabe Gathers working in the field, hauling sacks of potatoes into a truck.

Caption: "...as the real thing."

Voice (Off Panel): Gabe! Come on on in, its suppertime!

Panel Two. Still a wide, distant, shadowy shot of Gabe as he picks up a huge pile of potato sacks, five times his size.

Gabe: Comin', Ma! Be there in just a--

Panel Three. Closer to Gabe, but still keep him in shadows. He's alert, he's heard something, out in the distance. He tosses the huge pile of sacks into the truck.

Gabe: Sec.

Panel Four. Another distant shot, same as Panel 1. But we now see Gabe's shadowy form floating in the air, preparing to soar in the direction of trouble.

Panel Five. Same shot, but no Gabe.

Page Twenty.

Panel One. Interior shot of a family SUV, a mother drives with her little girl in the passenger seat, playing her PSP.

Mother: Now what time do you need me to pick you up from practice?

Girl: Uhhh... 6, I think.

Panel Two. Mother looking over at her daughter, who is rolling her eyes.

Mother: You think? I don't plan to sit out and wait half an hour for you, young lady.

Girl: Fiiiine. 6:30. Gawd.

Panel Three. Close up of the girl's face panicking.

Girl: MOM! LOOK OUT!!

Panel Four: Out-the-window-of-the-car shot, they're on a barely-railed overpass. We see a scrappy little dog standing straight in the middle of the road

Mother: Oh my God!

Panel Five. The car swerves out of the way.

Panel Six: Close up of the front passenger wheel as it hits a large piece of debris, blowing the tire out.

SFX: Blam!

Page Twenty One.

Panel One. The car slams into the overpass railing, busting through it, and now hangs suspended off it.

Panel Two. Second shot of the car dangling on the precipice.

Mother: Oh God Oh God Oh God!!!

Panel Three. Close up of the underside of the SUV, as it begins to give way to gravity.

SFX: Creakkkk...

Panel Four. The Car careens over the edge of the overpass.

SFX: Snap.

Panel Five. We see through the front windshield, the mother and daughter screaming.

Mother and Daughter: Ayeeeee!!!!

Panel Six. We see the car, suspended in mid-air, but we can't see how.

Mother: Wha-- what the?

Gabe (Off-Panel): Its all right ma'am! You just sit tight, and I'll put you down back on the side of the road!

Page Twenty Two.

Splash Panel. We now see Gabe clearly, a young, strapping blonde guy, holding the SUV up in the air. He's smiling, feeling no strain.

Mother: Th-th-thank you!

Gabe: Don't mention it, miss. All in a day's work.

Title Card: Next Month-- EVEN BETTER THAN THE REAL THING.

ChrisLemke
04-16-2007, 01:22 PM
ya know, i really dug that. I think the concept was a lot of fun, the characterization was solid, the premise it out the park and kudos to you for finding something new, something different and staking claim. Good work man. I wish you the best because this is something I would love to read.

nwspencer
04-16-2007, 02:10 PM
Wow!

Thanks very much for the positive feedback, much appreciated!

Multisync143
04-22-2007, 05:20 PM
I wish it was a time traveling dinosaur that would have been so much cooler. I really enjoyed it, good use of humor. One thing I would change is the title. When I read it initially I thought is was another crappy superhero comic starring a character called Superagent. Another thing I would change was the great power bit, replacing the word power with opportunity.

Hornet: Listen, sir, that's all really, really flattering. But I-- I don't do this for fame or money. My grandfather always taught me, With great power comes great--

Panel 6. Close shot of Mike's face. This is a defining moment for him.

Mike: Opportunity.

nwspencer
04-25-2007, 02:06 PM
Thanks!

I've definitely thought about changing the name, so we'll see...

You must set the ad_network_ads_427.txt file to be writable (check file name as well).